In 1897, Alfred Rosselin buys the Airebelle tilery in Puget-sur-Argens (Var) in order to make pieces of ceramic with metallic lustres.
Marcel Chevalier, after working with Clement Massier, moves there and achieves the greatest part of his production.
Whereas the shapes are strongly influenced by Massier, sometimes even identical, his technique and the patterns are different.
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